While I was off performing in Minneapolis last weekend, I asked Shari Brenner and her daughter Nora Brenner-West to leader Shabbat services at Ner Shalom. Below is Shari's beautiful drash on Parashat Shemini. Shari has a Masters in Public Health and has worked in health care, primary HIV prevention and services, for over 25 years. She is the administrator of a large Community Health Center providing primary care services in the impoverished Latino neighborhood of Southwest Santa Rosa. She is also the recent past president of Congregation Ner Shalom and my good friend.
Tuesday, April 9, 2013
Guest Drash: Kashrut, Bacon and Higher Values
While I was off performing in Minneapolis last weekend, I asked Shari Brenner and her daughter Nora Brenner-West to leader Shabbat services at Ner Shalom. Below is Shari's beautiful drash on Parashat Shemini. Shari has a Masters in Public Health and has worked in health care, primary HIV prevention and services, for over 25 years. She is the administrator of a large Community Health Center providing primary care services in the impoverished Latino neighborhood of Southwest Santa Rosa. She is also the recent past president of Congregation Ner Shalom and my good friend.
Friday, March 15, 2013
Zecher Litziat Mitzrayim:
Shabbat and the
Remembrance of Things Passover
As we planned this musical Shabbat, Lorenzo and I had particular ideas about some Classical Reform hymns of my grandparents' era that we might be able to reclaim and bend a little and present in a fresh way. We began doing our research and found that those anthems, which everyone thinks are really dated, are, in fact, really dated. For the most part, our hopes for a Union Hymnal revival night began crumbling, and we fell back to our default plan of just having a night of beautiful music.
Then Gale Kissin stepped in. Gale's custom is to find music that excites her, rehearse it with the band, and then let me in on it. That gives me the holy challenge of figuring out how the various usually secular, sometimes sad, always beautiful songs, often in Yiddish, can function to prop up a night of Shabbos ritual. Sometimes that's hard to do, although mostly I'm the only one who sees the bumps, since mostly we're awash in the beauty of the music itself more than we are figuring out what prayer thematic it is supposed to relate to.
So this time I asked Gale, "What are you thinking of playing," and she told me that her band, Mama Loshn, was freshly rehearsed and ready to go on a variety of songs related to Pesach and our long-rehearsed story of liberation from bondage in the narrow land of Mitzrayim.
I found myself a little resistant to the idea, as Gale will attest from the whiny emails I sent her about whether this music wouldn't just be better for the Seder. Of course, Gale and I have enough of a relationship for her to know to ignore me; my complaints are the birth pangs of ideas, and all she has to do is sit tight.
So I began to wonder about my own resistance. I shouldn't be resistant. First of all, I find ancient Egypt interesting; I took a semester of Egyptian history in college, plus a full year of Classical Egyptian language, which has, alas, over the intervening decades, eroded into cocktail party chit-chat about hieroglyphics and bad snippets of jokes, such as singing "I got plenty Akhenaten" whenever there's a suitable setup. But that said, ancient Egypt has been an object of interest for me; and you all know how much I love Torah. So why am I resistant to another retelling of our ancient enslavement and flight to freedom?
I realized suddenly that it was a Pesach spillover effect. We tell the Exodus story on Pesach and I've frankly come to have mixed feelings about the holiday. It was once my very favorite. As a child, I loved seder, even though it was done in a kind of rote manner; nonetheless I was with grandparents and great aunties around a table doing a fancy ceremony and I was happy. Then as a young adult I began to appreciate how I could exercise my compulsive Virgo tendencies through the yearly ritual of cleaning and kashering the kitchen. And I loved the special diet, a daily reminder and signal of my Jewishness. I've never been a regular kippah wearer, but during Pesach I was revealed to the world as a Jew by the unmistakable trail of matzah crumbs wherever I went. In my twenties and early thirties I would attend or host seders that would go on until three in the morning, with singing and poetry and debate and the kind of fellowship that you only experience in the middle of the night after hours of group effort and perhaps one or two more than the customary four glasses of wine.
But then came middle age, when life became more complicated. Touring schedules that make it so that you will never have time to kasher your kitchen, at least not the way you want to; and worse, you will often arrive home on the morning of the day of seder, and hopefully you will have cooked and frozen some Pesach food in advance. And in any event, your seder that used to be so stimulating now has to work for the young children and the older children and the enthusiastic adults and the disaffected adults too. Your table will be filled with Jews, and there will no longer be enough non-Jews present to keep the Jews on their best behavior. And there's no more time to prepare yourself spiritually or to prepare a well-crafted seder. In part because now, at least for me, there's a congregational seder to prepare, which inevitably edges out the planning that used to be devoted to what happens at your own table. All in all, Pesach has, I confess, lost a bit of its sparkle.
And with my conflicted feelings about the holiday, so went the story itself. So now, when I hear about Pharaoh, or taskmasters, or plagues, I get sucked into a vortex of overwhelm and frustration and anxiety.
So: that was a big, if tangential, confession.
But in any event, I've concluded that my resistance is a disservice to an important story. The Exodus is a formative story. Right up there with Isaac being bound, or receiving the Torah at Sinai. This story is one so important that we retell it over and over. Not just in our annual Torah-reading cycle, but in our liturgy, for instance in the extended-play version of the V'ahavta, in multiple Psalms and, of course in the Mi Chamocha where every day we celebrate the crossing of the Red Sea. A story so important that we are commanded to tell it to our children, and we do so not at synagogue but around a table every year. It is a story that is supposed to live at home with us and suffuse our domestic spaces like the steam and aroma of Grandma's matzahball soup simmering on the stove.
This is a story that lends itself easily to metaphorical rather than historical readings. Mitzrayim as metaphor: enslavement, narrowness, oppression, injustice, fear. Everything that holds us back as individuals, as a society, as a world. And the Exodus, yetziat Mitzrayim, assures us of our ability, with some amount of chutzpah and some amount of faith, to break through those obstacles into the great wide unknown that awaits us.
But besides being a metaphor for our lives, there's another connection explicitly drawn by our tradition, and that is the relationship between the Exodus and Shabbat. In the Kiddush that we chant on Shabbat evening, the valences of Shabbat are explicitly laid out. We first call Shabbat zikaron l'ma'aseh v'reishit - a memory of the act of Creation. Shabbat is the pause that punctuated and gave final shape to that first week. Then we continue in the Kiddush: ki hu yom t'chilah l'mikraey kodesh. Shabbat is the beginning of holiness. It is the first thing mentioned in Torah that God calls holy. It is not the end product of holiness but rather the first occasion of it; it is what opens the floodgates of holiness into this universe.
Both of those understandings of Shabbat - creation and holiness - make sense to us; intuitive and clear.
Then we continue: Shabbat is a zecher litziat mitzrayim, a remembrance, a souvenir, of the departure from Egypt.
What does that mean? What do Shabbat and the Exodus have to do with each other? Shabbat is other-worldly, primordial. It was God's first thought and last act of Creation. Whereas the Exodus already takes place in another kind of time, within the much smaller scale of human history, or what we imagine to be human history. Shabbat has to do with our cosmology of holiness and time. The Exodus, at least on its surface, is about politics and migration.
How are they connected?
The rabbis would undoubtedly say that God brought us out of Egypt in order to keep Shabbat. They would say that Shabbat, though ancient, couldn't be practiced until there was a people who agreed to practice it, that people being us, in the desert, free at last, beginning our long wanderings.
But there's more to say here, because Shabbat is not just a day on the calendar, but is in itself the breath of freedom. The pause where something that has engaged you and burdened you stops and you perceive the difference. It is the sensation when, after a hard illness, you wake one day feeling better. It is the moment of quiet gratitude after you've fixed dinner and set it on the table and you finally sit down to eat, no longer the maker but the receiver. It is the sensation of relief you feel when you finally close your computer at the end of the day and you notice the cricket call outside replacing the psychic buzz of the Internet. Shabbat is not unlike the chord that continues ringing through the concert hall after the last note of a symphony is released. The moment of sad-happy-fulfilled directionlessness when you close the last page of the novel you've spent the last week with.
And the experience of Shabbat is not unlike the surprise and bewilderment and relief of the Israelites when they realized they were, at last, beyond Pharaoh's reach.
Shabbat is zecher litziat mitzrayim: either a souvenir of the Exodus or a remembrance offered for the Exodus. What I mean is that it's not clear which concept is the reminder and which is the reminded.
We can say that a way to get at the feeling of Shabbat is through the idea of the Exodus. Shabbat is a release from the narrowness of the week, in which we were enslaved to our ambitions, our struggles, our things. But it could work the other way. If you want to understand what the departure from Egypt might have felt like, but let's say you live in a shtetl in a country where you've never been free of persecution, where real freedom is practically unimaginable, then the way to imagine liberation is through the familiar experience of Shabbos.
Both Shabbat and the Pesach story represent a courtship with God, with the Shechinah. God called on the slaves in Egypt like a beau standing at the door, asking, "May I take you out sometime?" And on Shabbat, every week, the Shechinah arrives at our doors as a bride awaiting us. Both Shabbat and the Exodus mark relationship, even love affair, with the divine.
But I guess if I were to try generalize anything about this connection, I'd say that we are taught by our experience of Shabbat that there is a rhythm to things. Just as a sentence of speech arrives inevitably at a pause and a breath, so too the rhythm of our lives. And the rhythm of our societies. And our biology. And our cosmology. Every tyrant will eventually fall. Freedom will keep happening again and again. The days of our weeks and the years of our lives will succeed and supplant each other like Egyptian dynasties. We will build monuments with our hands and with our words. We will be our own slaves and our own taskmasters until the breath of possibility that we learn from Shabbat reminds us how to remove ourselves from the machinery of our slavery.
And one day our bodies will stop altogether and, we pray, what comes next will be freedom, spaciousness, relief, Shabbos. Forever Shabbos.
So let us sing the songs of our enslavement and our liberation, in all of our languages. Let us feel the rhythms of this life and this world, knowing that at the end of six days comes rest, at the end of pain comes release, at the end of struggle comes delight, at the end of our narrowest places a great and unknown land awaits.
Friday, March 1, 2013
Ki Tisa: Improvisation and Practice
Friday, February 1, 2013
Yitro: Strangers in a Strange Land
I spent this last month as a stranger in a strange land. I had a two and a half week gig in Puerto Vallarta, Mexico, with an additional week tacked on in the lovely mountain town of Ajijic. I walked a funny line between belonging and not belonging, between distance and familiarity. We do this Puerto Vallarta gig every year. I know my way around; I know street names and some faces and where to get fresh vegetables. And then there’s always the new and strange; this time, for instance, how to manage sickness and fever and find the larger-than-life Doctor Lupita and her hypodermic full of good mystery drugs.
My Spanish is good; I can declare in the declarative, and speculate in the subjunctive. I speak better than I understand; but still I fared better in Mexico than I did yesterday morning at Friendly Kitchen in Rohnert Park, when a patron glanced at the newspaper and remarked to me, “Those 49ers sure are” followed by 15 or so words that almost certainly had something to do with the Super Bowl; words that I undoubtedly know individually, but which, when fused together in a wave of football jargon, left me utterly bewildered. I didn’t understand his words but his desire for a bond of familiarity with me was clear. “Yeah,” I said, nodding, hoping that that was all that would be required of me. I was home, but still a stranger.
This week’s Torah portion seems to have a lot to say about strangeness and familiarity, distance and proximity. The portion is called Yitro, named after Moshe’s father-in-law. The Children of Israel are in the Wilderness, having escaped from Egypt, familiar turf in which they were treated as strangers. Now they are strangers in an unfamiliar land, led by a prophet who is also a stranger, having never been a slave alongside them, and by a God who does not resemble the Egyptian gods; who doesn’t resemble, well, anything.
At the top of the parashah, Moshe receives his father-in-law, who arrives with Moshe’s wife and two sons. The text then reminds us of the sons’ names and their etymology. The younger son is Eliezer, meaning “my God is my help.” And Gershom, the older, means “a stranger there.” Moshe named him that because, as he famously said, “I was a stranger in a strange land.”
Gershom and Eliezer. “Stranger in a strange land” and “God is my help.” Strangerhood and help. Alienation and embrace. Distance and familiarity. These are the polestars by which the Children of Israel navigated through the wilderness and by which Jews have wandered through an alien world for millennia, so much so that our sense of exile has become a dominant theme in our self-concept; giving rise to Messianism and to Zionism and to puzzlement when my children seem, mysteriously, to fit in just fine. Alienation and embrace: the competing forces that tug on each of our souls – the feeling of being alone; and the desire to feel that we are not.
The themes of strangeness and familiarity continue to haunt the portion. God is about to impart the Aseret Hadibrot, the Ten Commandments. God says, in what sounds like a marriage proposal, “You will be my special treasure, my beloved people.” And the people respond, saying, “Whatever God says, we will do.” But this communication is not direct; Moshe carries the messages up and back like Miles Standish for John and Priscilla.
Then God demands that a distance be established around the revelation. First, a distance of time: three days between now and then, during which the people must prepare, immersing themselves and even their clothes as in a mikveh. Then, a perimeter of space: a boundary around the mountain, the crossing of which by anyone other than Moshe will result in a sentence of death.
Be my love. But not so close. Maybe the enforced separation is specifically to build the tension. Like couples staying apart before their wedding. And marriage is in fact the underlying metaphor here. Immersion in the mikveh; words of oath. And isn’t marriage about transitioning from the idea of Gershom to that of Eliezer, about strangers becoming each other’s familiar support?
So God descends – and Moshe ascends – to the mountaintop. Proximity. God sends Moshe back down to reinforce the perimeter. Distance. And then God gives the Ten Commandments, reciting them like wedding vows under the chupah of cloud and smoke.
Alienation and God’s embrace. I wonder about the tension between these two ideas. They seem so antithetical but so tightly connected. Does one require the other? When God first enters into relationship with Abraham, generations earlier, what was God’s demand? “Leave your home and go to a strange land.” Maybe the journey together into an unfamiliar landscape is what creates or cements a bond, experiencing strangerhood together. God and Abraham, Thelma and Louise, Butch and Sundance. After all, you never know someone as well as you do after a road trip.
Our human experience is a relentless road trip. After you leave your mother’s womb and your parents’ arms, you are on your own, with no map and no spare change for the fast food joints. Even if you live and die in the very house you were born in, you are always walking a wilderness, because time is that kind of road. You can’t see around the next bend. You change. You grow. Your body ages and so does your mind. Your circumstances change, and the people around you, and the world. We are constant strangers. How are we ever to feel safe? How are we ever to feel anything but alone?
Loneliness is a great source of longing and of action. Loneliness must be the reason we invented God; or else it is the reason God invented us. We need this relationship with the great Infinite, whether we ascribe to that infinity a personality or not, to feel familiar. To feel that despite the odds and despite all evidence, it has our back. Intimacy us how we keep ourselves – and God – from being overwhelmed by fear as we journey forward. As the Psalm says, gam ki elech b’gey tzalmavet, lo ira ra ki atah imadi. Though I walk through a valley shadowed by death, I won’t fear if you are with me.
The desire to be cared for is reasonable. So how do we make it happen? How do we bring about God’s care, God’s help, in the face of our sense of aloneness? The mystic, Rabbi Joseph Cordovero, said 500 years ago that by our own actions, acting with chesed – with kindness – toward the suffering of the stranger, we bring down that same quality of kindness in the Divine. Imitate what you want from God and it will manifest for you as well. Or translated into practical terms, kindness begets kindness.
Which then sounds less mystical and downright Reconstructionist. We are God’s hands in bringing about compassion in this world. We know how to care for the stranger. Torah tells us no fewer than 36 times. Empathizing with how a stranger feels can set your compassion in motion. Imagining how the person sitting next to you might feel like a stranger at this moment; that might invoke your protectiveness and your care. Of course, sometimes we can’t find our compassion for the stranger; not every stranger is equally lovable. So we try our best and then offer ourselves some compassion for having felt like a lost wanderer in that effort.
So what else? How else might we experience the closeness of the Divine though we feel like strangers?
The parashah gives us a little clue at the end. After announcing all the Ten Commandments, amidst thunder and smoke and the sound of horns, God and Moshe spirit off for a little post-mortem or, perhaps this weekend, I should say a little Monday morning quarterbacking. God revisits the commandment not to make any graven images, and expands on it. God says, “Tell the Children of Israel not to make any gods of silver or any gods of gold. Instead, make me an altar of earth and sacrifice on it; in every place where I cause my name to be mentioned I will come to you and bless you.”
In other words, I think, don’t go chasing after God; don’t try to tame God by making rigid reductions of Divinity out of gold or silver. How, after all, can you force the great mystery of this Universe into such a limited form, whether made of a precious metal or an unyielding and too-small theology? Instead, don’t try to capture God at all. Keep your altar simple. Made of your own earth, your own life. Offer up your thanks or your wonder or your need. Mention God. And wait. Sit back, and let the Mystery introduce itself to you, so you can be on a first name basis with it.
Gershom and Eliezer might be among the names offered. I am a stranger and will always be. And still, I am held by God. These are my names. These are all of our names. And these are both true.
May we all journey our journeys without fear, without panic. And may we be open to the familiar and comforting touch of the Great Mystery, whenever and however it happens.
Friday, December 21, 2012
Solstice 2012:
The Most Wonderful Time of the Year
Saturday, November 17, 2012
Parashat Toldot: Brothers, Birthrights and Blessing
Hineh mah tov u-mah na’im shevet achim gam yachad.
These words, set to one melody or other, are among the basic sound bytes of Judaism that we all got in Hebrew school; for many this is one of the few phrases that stuck with us on the long road from childhood. Hineh mah tov u-mah na’im shevet achim gam yachad. How good and how pleasant it is to sit, side by side, like brothers," says the text.
The older I get, the more I grasp why these words, which constitute the opening verse of Psalm 133, are so very catchy and compelling. When you’re young, they sound like a platitude. But as you get older, you realize that they point to the difficult problem of siblinghood. It is good and pleasant to sit together as siblings not because it is easy or natural or always fun. It is good to sit together as siblings precisely because it is not easy. The sibling relationship is complex. The pushme-pullyou of it: the inevitable jealousy and competition. But also the natural intimacy. You are tethered to each other by a common history, heritage and upbringing; by shared relatives, playthings and hated living room furniture. No one will ever know you as well or, God willing, as long as your sibling. And no one else – not even your spouse – is stuck with you in quite the same way. A married couple can divorce. We might think it’s terrible, but we know it happens and we sigh, “Maybe it just wasn’t meant to be.” But when siblings break up, it somehow goes against the nature of things.
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| Exhibit A: Brothers |
My father-in-law hadn’t visited the Vancouver family in some six years; my husband hadn’t in maybe twenty. And I’d never met them at all. Since my in-laws live in Israel, the route of our family visits has always traversed the Atlantic but never the 49th parallel. And because my father-in-law had made aliyah to Israel at a young age, he was more myth than fact to the younger Vancouver generations. So here we were, like visiting nobility. A great party was thrown in honor of the return of the Slozbergs from exile. Children, grandchildren, siblings, nephews, nieces, cousins – all here in abundance. And I loved it. I moved easily from family group to family group, learning names, memorizing relationships, asking for family stories. It was easy for me to experience this as hineh mah tov umah na’im, as good and pleasant. Because I didn’t know them. I knew no back-stories. I had no grudges and I was not charged with maintaining anyone else’s. In fact, it took days more to discover that there had been any.
Torah makes much of the tensions and grudges of siblinghood, perhaps because they’re universal, and because they can be read on both micro- and macro- levels: literal siblings and figurative siblings, individuals and nations. But Torah almost never treats the subject more intensely than in this week’s parashah, Toldot. This is the helping of Torah that brings us from Jacob and Esau struggling already within Rebecca’s womb, to a hungry Esau selling his birthright to Jacob in exchange for a bowl of soup, and finally to Jacob masquerading as his minutes-older brother in order to abscond with their father’s blessing.
We all know this story and our reactions to it are, I would guess, mixed. One can, and generations have, argued that Jacob was chosen by God, and in this story he does what he must in order to claim his destiny. One can argue it, but it’s hard to feel good about it. Jacob is one of our avot, one of the patriarchs. Here he steals what is understood to be our inheritance, making our own heritage hot property. It’s hard not to feel a little shame.
And as a story, it’s just plain sad to see it go this way. We know what siblings can accomplish together at their best. Think of Orville and Wilbur. George and Ira. The Brontes. Venus and Serena. Click & Clack.
But we also know how it can go so very bad. The famous fraternal feuds. Adi and Rudi Dassler, the founders of Adidas and Puma, respectively. Anne Landers and Dear Abby. AS Byatt and Margaret Drabble. Cain and Abel.
Often these breakdowns are over insignificant things; small jealousies and misunderstandings that snowball. And sometimes they’re based on very significant things. The items of controversy in this story are two: a birthright, or bechorah in Hebrew, and a blessing, or berachah.
The first of these, the bechorah, the birthright, Esau, tired and hungry, agrees to sell to Jacob rather than have to make his own dinner. The bechorah is about property rights – the larger share of land and livestock that the eldest son was entitled to inherit. The sages have questioned whether the sale of an inheritance that had not yet been received was even valid, but the story itself doesn’t questions it. It might have been poor form to sell your birthright, like refusing to go into the family business, but it wasn’t illegal. And, as for one who would squander a birthright on a bowl of lentils, you might apply the axiom, caveat venditor. Let the seller beware. No sympathy here.
But the blessing – the berachah – distinct in Hebrew from the bechorah by the mere reversal of two letters, as if they are flipsides of each other – the blessing seems another matter. This is the juicy bit. It cannot be bought and sold. It is bigger than the inheritance, and deeper too. It carries intention. It exists not in the legal realm but the spiritual one. Blessing engages our hopes and even our fears. Blessing implies something transcendent, something bigger, maybe something divine. The bechorah, the birthright, speaks to the wallet. The berachah speaks to the heart. By analogy, I’d say the institution of the civil union is an example of bechorah. But marriage is about berachah, which is why it is so desired by those who can’t have it, and defended so fiercely by some who can.
So if the bechorah here was land and livestock – conveyable property – what was the berachah? What was the blessing that was so desirable that Jacob drew it from Isaac by cunning and guile? It was this: the dew of heaven; the fat of the earth; grain; wine. Prominence over nations and precedence over brothers. This was the father’s blessing. Were they in fact Isaac’s to give? Are the words prediction or prophecy or magic to bring it about?
Esau, when he discovers the fraud, also begs for a blessing. His rapidly failing father cannot refuse, but is unable to offer a blessing to undo the one he’d given Jacob. That blessing was already uncorked and released into the world. But he nonetheless offers what he can: again the dew of heaven and the earth’s produce; plus the means to survive oppression and ultimately overcome it. This is the blessing given to Esau, that by all rights should have been given to Jacob – and inherited by us. And, given our history, it would have been a useful one.
But it was not the blessing Esau wanted. And who among us gets the blessing we want? In Deuteronomy, God says, “I have set before you life and death, blessing and curse. Choose blessing. Choose life.”
We are instructed to choose life, to choose blessing, but with no real guarantee about its content. It might be our lot to rule; it might be our lot to be ruled. It might be our lot to throw off the yoke of oppression. We must say yes, without knowing which it will be. But in any case, we can still be blessed, as both Jacob and Esau were, with the dew that flows down from the heavens, as the ancients believed, dew that flows just like the Kabbalists imagined blessing itself to flow, downward from source to us.
Psalm 133, hineh mah tov, “how good and pleasant it is to sit together as siblings” continues for three more verses:
Kashemen hatov al harosh yored al hazakan, z'kan Aharon sheyored al pi midotav.
K’tal Chermon sheyored al har’rey Tziyon
Ki sham tzivah Adonai et habrachah – chayim ad-ha’olam.
Like the good oil on the head,
Streaming down onto the beard of Aaron.
Like the dew of Hermon that trickles down
To the Mountains of Zion;
Where Adonai commanded this blessing: life, always.
Sitting together as brothers and sisters is not just good and pleasant: it is blessing embodied. It is like the oil of anointment flowing down, onto the priestly beard of Aaron, himself an older brother who stands in the shadow of a younger brother and a sister too. It is like dew, like shefa, the divine trickle-down, whose flow sweeps us back to the place where we are reminded that we must choose life and we must live it, with all its inequalities and sorrows and joys and possibilities.
Being together like brothers and sisters – ultimately coming together despite grudges and hurts - that is the blessing. Isn’t that the case in this story? These bought birthrights and stolen blessings seem like nothing but trouble until twenty years and five chapters later when Esau and Jacob finally fall on each other’s necks and weep. Weep for the time lost and the fears outlived and the differences not fully resolvable and the future never quite knowable. But they weep together, as brothers, and they sit together, like brothers. Hineh mah tov u-mah na’im.
Isn’t that blessing? And if Esau and Jacob can do it, then why not Isaac and Ishmael? Why not us, their descendants still caught in the shock wave of their brotherly grudge, playing it out this very week with missiles aimed at houses, each side claiming the bechorah, the rights of the firstborn, when really what each of us wants is the berachah, the chance to be blessed?
The image of Jacob and Esau, reunited even if not fully reconciled, holding each other, sitting together in the soothing light of evening – this is the blessing we must choose, that we must seek, that we must create, that we must steal if necessary. In Yiddish, to cross a border is called ganeven di grenetz. You “steal” the border. You don’t wait for passage to be offered to you. Instead you tiptoe up, you do a little dance, like a snake charmer, and you charm that border until it is yours. It is what Jacob failed to do when he clumsily drew verses of Torah from his unwitting father. And it is what Jacob and Esau succeeded in doing so very elegantly and naturally when they strode past the border of their fear and into an embrace.
So let us be, like Jacob and Esau, stealers of blessing. Let us ganeven di grenetz, let us face borders, or oceans, or parallels, or fences. Let us approach the borders and use all our charms, all our wiles, all our hearts, to draw down blessing. So that we might know the goodness, the pleasantness, the berachah, of sitting, at long last, as brothers and sisters together.
Hineh mah tov u-mah na’im shevet achim gam yachad.
May it be so.
Saturday, October 13, 2012
Killing Your Darlings
So I began googling Jewish communities near where I'm staying. And I stumbled onto the Sim Shalom Universalist Chavurah. For someone who plays as fast and loose with our tradition as I do, I am remarkably suspicious of other Jews' innovations. Are they crypto-Christians? Stealth Messianics? I guess that flavor of suspicion itself is rather Jewish, as we struggle to withstand the arrival of the next new thing, as we've survived Christianity, Islam, Sabbateanism, Franckism, the Enlightenment, Chasidism, Reform Judaism, and every other new idea that we now see as an innovation or a deviation, depending on the outcome.
One of the primary notions of the Sim Shalom folks, not unlike Mordecai Kaplan's framing of Reconstructionism, is the rejection of the idea of "chosen-ness." There are many paths to enlightenment and, using the language on Sim Shalom's website, "We reject the concept of a God that would choose a favorite child."
It was a funny statement to stumble on during this Shabbat Breishit where, among so many other things, we read the story of Kayin and Hevel - Cain and Abel. This story, in which God accepts the offering of the younger but not the older, is one of our many narratives that dwell in the anxiety about the seemingly unfair affection and attraction felt for the next new thing. We see it again and again: Isaac becomes Abraham's principal heir over Ishmael. Jacob swipes the birthright and the blessing from Esau. Rachel is the beloved over her sister Leah. Although Torah doesn't explore this dimension of it, it's worth noting that Moses himself is little brother to both Miriam and Aaron. Even King David, though not a set up as a sibling, is still posed as the young and more attractive alternative to King Saul. David is the upstart whose charmed and charming ascendancy drives the failing leader mad.
Torah over and over presents versions of this, of the younger being justified in taking what should belong to the older. Why such anxiety? Were we, as newcomers to the Promised Land, as builders of a kingdom not on empty soil but on the turf of an older resident civilization, insecure about our position? Is Torah's message that the new supplanting the old is the order of things? In Greek mythology the younger gods defeat the older gods; children supplant their parents, suggesting that change happens in a generational way. The Torah version, invoking our innate sibling rivalry, is subtler and trickier. It involves the painful conflict of ideas that are more or less contemporaneous.
In his mind-bending book Ishmael, Daniel Quinn paints the Cain-Abel conflict as an allegory representing the defeat of the old nomadic lifestyle, represented by Abel the shepherd of sheep, by the newer, settlement-based agrarian culture, represented by Cain. The murder of Abel by Cain exemplifies the agrarian revolution of about 10,000 years ago. Interestingly, in this reading of the myth, the newer idea - agrarianism - is embodied in the older sibling, and the older hunter-gatherer-herdsman lifestyle is embodied in the younger.
Of course what's always challenging and reassuring about Torah is that it doesn't lend itself to easy allegorical readings. Is Abel a new idea or an old idea? Is Abel the loss of the past or anxiety about the present and future? Or is this story not about ideas at all? Maybe it's about competition between tribes or nations. Or maybe this tale of sibling rivalry is just about sibling rivalry. After all, the murderous rage that many children feel at the arrival of the darling interloper is a deep current in many lives. It informs personalities and outlooks from cradle to grave.
I myself am a younger child. So are, when I think about it, most of my friends. How much of my general optimism comes from never having been challenged by a darling newcomer? And how much of that optimism would look to anyone else like plain old naivete?
Was Abel naive? When God accepted his offering but not Cain's, did he not see what was coming next? The outcome, though not foreseeable to the character, was utterly foreseeable to the narrative itself. Abel is named Hevel, the word that comes up over and over in Ecclesiastes, which we read last week over Sukkot before Simchat Torah boomeranged us back to the Beginning. It means breath. Vanity. Fleetingness. Impermanence. Unlike for his brother in the preceding verse, Torah gives no explanation as to how Hevel got this name. Almost as if it was less a name than an attribute. He was, in fact, impermanent. It could not have been his parents. After all, who would name their kid Temp?
Maybe Torah instead is saying something about our individual, internal struggles. We have competing needs, ideas. Sometimes the more attractive idea has to go. As the advice to writers goes, "Kill your darlings." But when you do, it is okay to mourn, and the idea that survives must be held accountable. When it asks, "Am I my brother's keeper," the answer - in the world of ideas as much as the world of action - should be a resounding "yes."
Or maybe this story of the first crime of passion is not meant to teach anything other than impermanence itself, its tone less akin to the mythology of Genesis than to the fatalism of Ecclesiastes. Maybe Kohelet, Ecclesiastes' author, uses this term - hevel - over and over in order to send us right back to this core narrative about unpredictability and impermanence. We grow, we tend, we offer up. Sometimes the world accepts our offerings. Sometimes it doesn't and we don't know why. Sometimes we are punished for our success. Sometimes we punish ourselves. It is all hevel. Yet we have no choice but to keep growing, keep tending and keep offering up.
This sentiment is beautifully captured in an unattributed poem that became a song by Maggy and Suzzy Roche:
Friday, October 5, 2012
Kohelet: All is Impermanent; There is a Time for Everything
So go the words of Kohelet son of David, king in Jerusalem, writer and star of the book called Kohelet, or Ecclesiastes, which serves as the companion text for the holiday of Sukkot. Our tradition says that Kohelet, the writer and supposed king, was actually King Solomon, but there’s no non-midrashic evidence of that, just as there is, in fact, no extrinsic evidence that King Solomon ever existed. But just going with our stories, King Solomon seems very unlike this Kohelet person. Solomon is kind of solid and wise and unfazed. Whereas Kohelet is at first blush more like Solomon’s father, David: impulsive, full of mood and seemingly young. His words sound like they could be spoken by some undergraduate philosophy major, perhaps wearing a black turtleneck and smoking a cigarette.
Havel havalim, Kohelet says. It is all vanity. Vanity of vanities. He is king and yet he sees that no matter what he builds, no matter what he succeeds at, it doesn’t last. The world goes on, generation upon generation. The streams flow into the oceans and the oceans never fill. The winds blow and then circle around and blow again. What was is what will be. What was done is what will be done, v’eyn kol chadash tachat hashemesh – there is nothing new under the sun.
Kohelet represents a kind of world-weariness; a jadedness expressed by the character Prior Walter in “Angels in America” when he says, “It’s something you learn after your second theme party: It’s All Been Done Before.”
Hakol havel. It is all vanity. Wow. How honest. To be a king and see your own insignificance? That’s got to hurt. The disillusionment in the field of high politics must be immense. And that disillusionment is never copped to, even though it’s not well hidden from us, the king’s subjects, either. Watching the first presidential debate, didn’t we all recognize it? The too-thin veil of principle draped carelessly over the jagged edges of desire, greed and futility? Seeing moral truths get brushed aside as the debate goes to the best jawline and biggest smirk? Watching the candidates, it’s hard to know who is more disillusioned – them or us. Do we even want to be aware of this? As Kohelet says,
Ki b’rov chochmah rav ka’as, v’yosif da’at yosif mach’ov.
The more you know, the more painful it is. Ignorance, even back then, was bliss.
But how do you escape disillusionment? With food, wine, earthly entertainments? Kohelet tried those and they didn’t work. What then? Build? Design? Gather wisdom? Kohelet, ever the life of the party, reminds us that the wise person dies even as surely as the fool.
Disillusionment is everywhere. “Why should I vote? Why should I care,” ask many young people. And many not-young people. Why should I bother to act at all?
Kohelet strikes a chord with all of us; he is not a prophet hurling God’s words at an unhearing public. He speaks for the people. Whoever he actually was, his nom de plume, Kohelet means “one of the kahal” - a member of the congregation, the voice of the community. He speaks in all our names. We all reign as kings of our own lives. And yet all or so many of our efforts to govern are futile.
But maybe bleakness is an incomplete reading of Kohelet. Maybe there’s an element of angst, but also an element of acceptance. Perhaps he is a kind of Buddhist. Our earliest Israelite Buddhist. Hevel havalim – vanity of vanities. Not a lament as much as a mantra: Kohelet’s way of saying what in Sanskrit is called anitcha. Impermanence. All is impermanent. Like a Buddhist he is aware that suffering comes from not accepting the impermanence of all things; that trying to cling to what we’re attached to is r’ut ruach – like grasping at the wind.
Is Kohelet a lesson in disattachment? Disattachment as a way of life scares me even more than disillusionment. How can I embrace disattachment when so much action is needed in this world? There are terrible people doing terrible things. There are good people doing terrible things too! How can I stand idly by when there is so much at stake?
The answer is undoubtedly that this is not an “either/or” question. Kohelet doesn’t say, “do nothing.” He – or she because really who knows? – says, “Look at the big picture also.” Everything is temporary. Our gains are temporary. So are our setbacks. Life unfolds in ways that are bigger than us and that disregard us. “So,” Kohelet seems to say, “let go of the constant need to control it all.” Instead, find the richness in your life, the richness in this very transient moment. Do not let your happiness hinge entirely upon your success in controlling your conditions.
There are cycles bigger than us and we will cycle through all of them. As Kohelet goes on to say, to everything there is a season:
A time to be born, a time to die.
Kohelet casts away his need to control. Kohelet makes room for the possible futility of his efforts in the human world. And he comes to this conclusion: We cannot understand God’s plan, and so all that is left to do is lismoach v’la’asot tov b’chayav. To be happy and to do good in our lives. These are not the words of someone who has given up, but the words of someone who has opened up.
My last question tonight about this odd and wonderful book is this: why on Sukkot? The other pairings seem to make sense. On Pesach, in the spring, we read of love in Song of Songs. On Shavuot, when marking our covenant with God, we read about Ruth and her covenant with Naomi. But this? Kohelet on Sukkot?
Maybe it is about the harvest. You go into the fields and you realize that neither your careful tending nor your gross negligence had so very much effect on the crop. The rain and the sun were beyond your control. We don’t always know what we will harvest in our lives. So be careful of the level of your attachment to the outcome.
Or maybe it’s this. On Sukkot we live in a structure that is, by design, impermanent. Anitcha turned architecture. We eat and sleep and pray in it. And this structure, like our lives, is blown by winds much stronger than it. It is exposed to rain and cold. We have no choice but to live with its uncertainty, even as we reinforce the ropes and the knots and the fronds lying on top.
But the sukkah also affords us a grand opportunity to peer up from our lives and see the stars. They are changing too, but so slowly as to seem unchanging. They are distant from us but not irrelevant to us. There is space – makom – that binds us to them. We are tethered to them by light years of ayin, of nothingness.
This malchut, this kingdom, is much bigger than we are. Our world is like the wind that blows in its season and comes back around to blow again; our lives are the palm fronds rustling in that wind; and all this against the glittering and ancient backdrop of stars that, for all intents and purposes, have always been and will always be there.
That is the perspective provided by Sukkot and set to words by Kohelet. All is impermanent. There is a time for everything. And it’s all been done before.
And sometimes, even if briefly, that can come as a great relief.


