Showing posts with label Chasidim. Show all posts
Showing posts with label Chasidim. Show all posts

Friday, August 21, 2015

At the Rebbe's Gay Tish



If this were a Chassidic tale, it might begin with a journey. Maybe a great rabbi in disguise as a pauper, visiting poor households and offering miraculous blessings. Or perhaps someone traveling to a great city to arrange a marriage or find a cure or sell an old wagon. And on the journey there might be an unexpected obstacle – a horse goes lame, a river floods, or Shabbes falls early.

My story begins with a journey in early August, from Manhattan to Albany, on my way to the foothills of the Berkshires for Nehirim Camp, a sorta-real, sorta-mock summer camp experience for gay Jewish men. My accidental seatmate on the train was an Orthodox Jewish guy, with a tractate of Talmud on his tray table. I asked what he was studying. “Talmud,” he answered.

“I know, but which volume?”

His eyes darted around nervously. “Niddah,” he whispered. This is the tractate about women’s purity and menstruation. His face reddened. “I never had the chance to study this when I was young,” he added, looking like he’d been caught with his hands in his mother’s dresser drawers.

If this were a Chassidic tale, the unexpected traveling companion would maybe be a supernatural figure, posing as flesh and blood. Maybe an angel, maybe a demon. And when I get caught up in conversation with someone who is Orthodox, I confess that I’m open to the angel, but tend to expect the demon. I expect that as he gets to know me, I will be judged and condemned, the naked-headed gay guy who talks Torah but drives on Shabbes. I would be his demon.

But I was feeling happy that morning, maybe more expansive than usual. So I took the risk of conversation, and soon we were, to my surprise, studying together, not Niddah, which stayed resolutely shut, but a project of mine. An hour in, he asked me where I was heading. “To a gay Jewish retreat,” I answered.

Ba-bum. Ba-bum. Ba-bum. Our hearts marked time while our eyes remained riveted to the back of the seats in front of us, the Hudson Valley flying past the window.

“So you’re gay?” he asked.

“Yup.”

And I braced myself for an as-yet unformulated unpleasantness. Instead, he dropped his head, sighed and said, “It’s terrible what happened in Jerusalem last week.” Meaning the murder of a 16-year old girl by a crazed Orthodox man at the Jerusalem pride parade. I was caught off guard by his compassion and his sad tone, as if he were apologizing for both the incident and his own helplessness. My surprise was not unlike the surprise of so many Chasidim in so many stories, when the rebbe reveals unexpected magical knowledge of a joy or a tragedy that his disciples had not perceived.

“Yes. Terrible,” I replied. We sat in silence for some minutes, and then resumed our study.

Eventually I arrived at the Easton Mountain retreat center in Greenwich (“Green-Witch”) – not Greenwich (“Grennitch”) – New York. And green Greenwich certainly was. Coming from our thirsty state, the expanses of soft grass and the array of ponds and lakes seemed immodest almost to the point of vulgarity.

Once there I met the week’s other faculty members, including a rabbi, a cantor, a yoga guy, a nature-and-creativity guy, and a porn actor. We reviewed the schedule and got to work. My docket included teaching a class every day of the retreat, leading the Friday night service, and holding a late night tish, modeled on the Rebbe’s Tish of old, where I would tell stories and lead niggunim.

And then the participants began to roll in. Like Chasidim would pour into Bratzlav or Berditchev or Lublin, to spend the Jewish holiday at the shtibl and table of their favorite rebbe. Instead of Yisroels and Motls and Shmuels, we instead had Davids and Steves and Marks and Sams – several of each, in fact. Instead of gabardines and shtreimls we had shorts and tank tops and, by the pool, nothing at all.

These were guys who had all experienced struggle and exclusion in the world broadly and in the Jewish world specifically, because they were gay, and mostly of a certain generation, and they were here to do some reclaiming of Jewish turf together. Some of them live very active Jewish lives; some were returning to Judaism after long absences. Many had been instrumental in forming gay synagogues on the east coast, where they defiantly re-created the more conservative observance of their childhoods. And so I was struck at how in a group of 50 Jewish gay men, I still felt at the fringe in terms of Jewish ritual and Jewish thinking. Although I am pleased to note that I was not the only one who spent Shabbes in a skirt.

I co-led Kabbalat Shabbat with an old friend who is now a cantor and composer. As soon as I began speaking I became aware that how I do it, commonplace for us here at Ner Shalom, was completely new for most of them. I could see their surprise at the visualizations, and the punch lines, and the sexy talk, and the use of Cole Porter’s “Night and Day” as our Ma’ariv Aravim prayer. I was afraid my methods might provoke resistance. Instead, hearts seemed to open up and the night got higher and higher.

And it kept getting higher and higher. After Shabbes dinner we settled in for the tish. For an hour or more, in a small room of dinner tables and folding chairs, we sang niggunim and I told stories, two from the Chassidic world and one from the trusty Chelm repertoire. One of the two Chassidic stories was about women. There are not as many of those stories, but they do exist. They are usually about rebbetzins, the wives of well-known rebbes. They typically have to do with either her generosity or her cooking, both of which are taken in this literature as expressions of piety and closeness to God, and are set out as an example for women and men alike. Beautiful, sweet, non-revolutionary stories.

I brought a rebbetzin story in because in this male-only space, in this somewhat but not completely tongue-in-cheek reenactment of a Chassidic court, I was beginning to feel uncomfortable in my chair and in my body.

I confess that I love the ecstatic singing and storytelling of the Chasidim. And as a man (well, as a man who can pass as straight) (well, as a man who can pass as straight with some considerable effort), loving that stuff is a privilege I have access too. But in my non-nostalgic waking life, it’s not so easy. I am not able or willing to pray or celebrate somewhere in which women are kept out of leadership and out of the room; in which women’s voices are considered treyf, and in which my life and my family would be considered treyf also if anyone bothered to ask about it. So I no longer pray with Chabad, for instance, no matter how good a party they throw, and no matter how much I need to say kaddish. And while it’s fine for the men and women who opt for that life to do what works for them, my participation in it would be, for me, hypocritical.

And caught between these two truths, that sometimes men-only space might be healing and sometimes it might be a danger sign, there we were, a room full of men, just men, singing.

And the singing was celestial. Because these were not just random Jewish men. These were four dozen gay Jewish men. “Artsy” men, as so many of us had been referred to euphemistically by our great aunts. Some of them were fine professional musicians; some were vocally trained. I’d guess 80% of them had been in all their high school musicals, and a good number of those have kept their chops up at piano bars up and down the eastern seaboard. These guys could sing. And they could harmonize. And the walls of the room trembled with the splendor of it. They were a heavenly choir of first and second tenors, baritones and basses. Melodies poured out; tables were pounded. And I couldn’t help but have the overwhelming sense that we were some European yeshivah, or some lively rabbinic court, the way they are described in the stories.

Now if this were a Chassidic story, there would now be a twist. The triumph of some underdog. God accepting the prayer of an outcast over the objection of the rebbe’s disciples. Or maybe the Prophet Elijah would be revealed at a key moment, in the form of a beggar at the door, and the behavior of the characters would be evaluated in a different light. I awaited the twist, the tikkun.

We sat and sang and the room rocked, and it felt impossible that fewer than 50 men could make music this big. And I suddenly had a vision of other souls fluttering into the room. Yeshivah bokhers of centuries past. The ones who spent their youths in love with their study partners. For whom the subtext of love was supplanted by the text of Talmud. For whom desire was requited only by debate. The ones for whom there was no path of fulfillment that included both spirit and body, and who did the best they could to play the roles expected of them, riddled though they might have been by despair. Or for whom, perhaps, it was enough, but for whom today, it would not be.

I felt these souls fluttering into the room to join us, a trace of worn leather and musty books in the air. I felt them taking their places on the few empty folding chairs; or perching on tables or shoulders or the very rafters. I imagined I heard their voices singing out as loudly as we were singing. And we, who had struggled to reclaim a piece of Judaism, had managed to create, for a moment, a safe place for them.

I’m not sure anyone saw this other than me, although it might be that everyone did. But in that moment, the voices of the yoga guy and the porn guy and the nature guy, the voices of men in pastel polos and men in white Shabbes shirts and men in skirts too, rose up, with the counterpoint of skilled musicians and a cry of deep longing, eventually causing the roof to crack right open, and, carrying an unspoken prayer for a more loving world, the music of all these men flew up, like a pillar of flame, straight to heaven.  

Sending much gratitude to Nehirim, Rabbi David Dunn Bauer and all the wonderful men who staffed and attended Nehirim Camp this year.

Friday, July 3, 2015

City of Stone and Flowers

A Postcard from Jerusalem.


It's less like other cities in Israel, and more like Burning Man, I explained to our 14-year old as we headed to Jerusalem on Wednesday. We had stopped for a nosh in Herzliya at a branch of a sophisticated Israeli coffee chain, our last swig of stainless-steel modernity before beginning the climb to bewilderment that the Old Jerusalem Road has come to represent.

What I mean by it being like Burning Man, I explained (since for him Burning Man is a reasonable and friendly point of reference) is that everything in Jerusalem is notched up one. People who visit here are tourists-plus. People who live here are residents-plus. Plus what? They're Seekers. Or Pilgrims. Or Professional Jews. Or Chasidim. Or Artists. Or Poets. Or Peace Workers. Or Little Old Ladies who Immigrated Against All Odds. Like at Burning Man, everything - necessarily - has intentionality. There is nothing casual. Even trying to live normally requires a romantic idea and considerable effort. A seemingly simple life in an orderly Rechavia apartment, taking the bus to concerts and sipping ice coffee in a corner cafe, is a normalcy that must be fashioned. Not making a statement here is itself a statement. See? I live in Jerusalem, and I'm not a crackpot like those others.

This city mystifies me. I arrive here each time and fail to find my way around. I lived here for a full year in college. I've had 7 other occasions to spend time in and out of Jerusalem. But each time, when I roll in, the streets rearrange themselves so that I'm always walking the long way when the most direct route is right where I'd been standing to begin with. Something I'd remembered as next door turns out to be many blocks away; something I'd remembered as prohibitively remote suddenly looms in front of me. Finally today I gave up altogether and left the map in my pocket, letting the 14-year old's best friend do the navigating, quite efficiently, using the impressive internal compass he's somehow developed in just two days.

I'm always at a loss for where I stand in Jerusalem, and not just geographically. I don't know how to represent myself. I'm an American Jewish tourist, but I mostly shy away from American Jewish tourists for internalized Anti-Semitic reasons that I have yet to fully own. My Hebrew is fluent and I have a smattering of Arabic, so I prefer to be taken for an unidentifiable foreigner when possible, an international secret agent rather than someone for whom Israel was the next logical step after summer camp.

But this is a city where people clearly represent themselves. Everyone has a specific role in the social disorder, and they wear associated uniforms so as to be easily identifiable to others and to each other. The height of the hat. The pattern on the scarf. Long coat. Short coat. Wig. White kippah. Leggings. My friend Amichai has stood with me in Jerusalem, identifying branch of Chasid, city of origin in the Old Country and specific Yeshivah based entirely on the particulars of the costume. I am not so expert, and the 14-year-olds are complete novices. I pointed out two dark-robed, bearded men to them in the Old City, and they cycled through every flavor of Chasid they'd heard of before realizing that they were actually Russian Orthodox priests.

I would like to wear a kippah here. I have a gut desire to somehow convey that like others of louder costuming, I take my place in Judaism seriously. But I don't understand the ideological iconography of kippot well enough to know and control what statement I may or may not be making in the process. (See this essay by my cousin Alden Solovy for a sense of why.)

Like many of the people in this city, I engage with Torah. But I don't know how to engage with them about Torah. I don't know the rules here and I'm afraid of being proselytized or patronized or even - my deepest unspoken fear - bullied. So, for instance, the Chasid next to me on the bus today coming from the Western Wall (long black coat, brimmed hat, pants-not-stockings), who kept dozing off and falling into me, was at first trying to study this week's Torah portion - Balak (as I could see by covertly eying his reading material). I wanted to strike up a conversation. I wanted to say, I think Balaam knew all along he was going to bless the Children of Israel; he just had some personal process and political wrinkles to work out, don't you think? Maybe he would have been surprised and delighted. But I was afraid of scorn. So despite Pirkei Avot telling us that where two people exchange words of Torah, the Divine Presence rests, I kept silent and left a restless God hovering somewhere outside of the bus, breathing exhaust.

Maybe if I could be here longer, more than a few days every few years, I could find an entry point, a crack in the stone. This is a city of stone, after all: Jerusalem stone. An off-white limestone that every building, by custom and law, is made of, giving the city a silvery glow at night and its famed "Jerusalem of Gold" radiance by day. And out of the cracks grow scrubby, flowering things. Lantana, bougainvillea, sage. Stone and flower are how this city looks, dust and rosemary its smells.

It is also a place of blazing white heat. Not just solar heat but political heat. Ethnic heat. Religious heat. I went with the kids today to the Western Wall to tour the tunnels underneath. This excavation reveals the full western side of the Roman-era Temple Mount, of which the Western Wall where Jews pray constitutes only one eighth or so.

To do this we breezed past the compact women's prayer section and the much more spacious men's section, aware that while before the State of Israel men and women mingled freely at this holiest of spots, the division of the sexes is now zealously enforced by a politically empowered religious authority, with the bulk of rights and privileges denied to women altogether. We descended into the Jewishly characterized tunnels, which were mined under the 1400-year old Muslim Quarter, and it belatedly dawned on me how this very excavation is meant, at least in part, to undermine Muslim authority in this much too holy, much too earthly place.

You see, every stone here is claimed, and every  claim is refuted. And so it has been since Jerusalem's earliest history. Jebusites, Israelites, Babylonians, Persians, Greeks, Romans, Muslims, Mamluks, Crusaders, Ottomans, British and Jews again. We tend to imagine clean lines of ownership, like a chart in a textbook looking like a layer cake. But the struggle for Jerusalem has always been stone by stone, street by street, tunnel by tunnel. Small aggressions only occasionally punctuated by outright conquest.

At the end of the tour we reversed course and retraced the entire route to the Jewish-run and heavily policed Western Wall plaza. There would be no exit today through the Muslim Quarter. The Old City was to be closed to tourists at noon, because it is the one-year anniversary of Jewish hoodlums kidnapping and killing an Arab boy in retaliation for the abduction and murder of three Jewish Yeshivah boys, and it was feared tensions would be high.

Conflict hangs in the Jerusalem air like pollen, like dust, like humidity. You feel like you are complicit in something by breathing it, but breathe you must.

But here's the thing: I still love this place. With all its intensity, with its beyond-cliche contradictions. It is a place where uncanny things happen to me. Where on my first night here, at age 16, I unexpectedly bump into my home rabbi at the Western Wall. And today, at age 54, I bump into him again at virtually the same spot. A place where I once decided to seek out the grave of the Maiden of Ludmir on the Mount of Olives and - would you ever believe me if I told you? - a bird led me to it. This place is thick with uncanny, living unremarkably alongside the prosaic: dust and noise and soldiers and vendors and bus drivers and shouting children. I can't explain how this happens. Do the overlapping dreams that thousands of people bring here somehow congeal to form some mystical field? Magic happens everywhere, perhaps. But here, like at Burning Man, everyone is looking for it all at once.

Clearly, life is simpler anywhere else than here. When I leave Jerusalem, I always feel a mixture of sadness and relief.

But right now I'm here. Welcoming Shabbat with the music-making hip Jews, both Israeli and American, down at the old train station. Walking neighborhoods that are probably quieter in my mind than they are in actuality. At some point tonight, despite a fumbled rendezvous and a botched picnic and the 14-year olds, with no real knowledge of Hebrew, managing to organize neighborhood children into what is undoubtedly a junior crime ring; at some point, this city indeed got quieter and gentler, snippets of zmirot poured out of windows, laughter could be heard, calm could be felt; at some point the Shechinah, earlier kicked off a crowded bus, now robed in purple night, settled at last on a city of flowers and stone.